Monday, March 30, 2009
The end of a semester -
Here we are. Missing from our photo are Loralei and Babette. It's the end of the semester. Much wax has been painted and friendships have been formed. A very worthwhile effort.
Barbara - Windy Active
Tessa - Spirals
Tessa - Earth
Alix - No and Yes
Alix - Ds and Ws
Alix - Lay of the Land
Alix - Stripes
Alix - Surging Waters
The end . . . for now.
Tuesday, March 17, 2009
Encaustic Painting - open work week
Sunday, March 8, 2009
Sources for Encaustic Painting, Winter 2009, BBAC
I'll add more to these as I think of them.
SOURCES
PVA (polyvinyl acetate) - I got it from Hollanders but it is in the catalog of Dick Blick, Utrechts, probably many others
anything having to do with plexiglas - Plastic Tech in Ann Arbor: 734.665.3580
beeswax - www.dadant.com
Books
The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax by Joanne Mattera
Encaustic Workshop: Artistic Techniques for Working with Wax by Patricia Seggebruch
R & F Encaustic - for everything encaustic and lots of information: www.rfpaints.com
Enkaustikos: art supplies including encaustic: www.fineartstore.com
The Scrapbox in Ann Arbor for bits and pieces to use in mixed media
Blogs, websites, pages:
http://www.davisandcline.com/Artist-Detail.cfm?ArtistsID=372
http://encausticopolis.blogspot.com
http://joannemattera.blogspot.com/
http://www.pbsartist.com/galleries.shtml
http://rfpaints.wordpress.com/2009/01/08/using-our-encaustic-gesso-for-tempera/
http://www.conradwildegallery.com/
SOURCES
PVA (polyvinyl acetate) - I got it from Hollanders but it is in the catalog of Dick Blick, Utrechts, probably many others
anything having to do with plexiglas - Plastic Tech in Ann Arbor: 734.665.3580
beeswax - www.dadant.com
Books
The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax by Joanne Mattera
Encaustic Workshop: Artistic Techniques for Working with Wax by Patricia Seggebruch
R & F Encaustic - for everything encaustic and lots of information: www.rfpaints.com
Enkaustikos: art supplies including encaustic: www.fineartstore.com
The Scrapbox in Ann Arbor for bits and pieces to use in mixed media
Blogs, websites, pages:
http://www.davisandcline.com/Artist-Detail.cfm?ArtistsID=372
http://encausticopolis.blogspot.com
http://joannemattera.blogspot.com/
http://www.pbsartist.com/galleries.shtml
http://rfpaints.wordpress.com/2009/01/08/using-our-encaustic-gesso-for-tempera/
http://www.conradwildegallery.com/
Next Encaustic Painting Class
Hi everyone. Here are the images for last week. Below those is the information for this week. I'll post "Sources" on a separate post.
Loralei - Street Target
Loralei - Street Trash
Loralei - Street Trash 2
Tessa - Curves in progress
I don't have any demonstrations in mind so if there is anything you'd like to ask me to demonstrate, please do. If Tessa, Barbara, Suzanne and/or Babette want to bring work for a little group critique, do so.
Bring your normal encaustic load.
I'll bring:
PVA
plexi adhesive
Jon Wilson's work so you can see how he "paints with fire"
Loralei - Street Target
Loralei - Street Trash
Loralei - Street Trash 2
Tessa - Curves in progress
I don't have any demonstrations in mind so if there is anything you'd like to ask me to demonstrate, please do. If Tessa, Barbara, Suzanne and/or Babette want to bring work for a little group critique, do so.
Bring your normal encaustic load.
I'll bring:
PVA
plexi adhesive
Jon Wilson's work so you can see how he "paints with fire"
Labels:
art,
art instruction,
encaustic,
wax,
wax on plexiglas
Tuesday, March 3, 2009
Encaustic Painting on Plexiglas
Alix - "World's Oceans"
Tessa - "Woodland"
Tessa - "Evolution"
Hi everyone. I'll demonstrate painting on plexiglas this week. The main thing here is to think in washes of sheer color. I'm told I'll be able to pick up the plexi on Wednesday. Babette, I have one 12x12 square plus cleats for you if you want it. If you don't, I'll keep it.
I plan on asking each of you what you want to do during the following 2 class periods. If you read this in time, bring in your favorite pieces of what you've done so far. They don't have to be finished. Maybe we can do a bit of a group critique and help each of you sort out where to go next.
Tessa - "Woodland"
Tessa - "Evolution"
Hi everyone. I'll demonstrate painting on plexiglas this week. The main thing here is to think in washes of sheer color. I'm told I'll be able to pick up the plexi on Wednesday. Babette, I have one 12x12 square plus cleats for you if you want it. If you don't, I'll keep it.
I plan on asking each of you what you want to do during the following 2 class periods. If you read this in time, bring in your favorite pieces of what you've done so far. They don't have to be finished. Maybe we can do a bit of a group critique and help each of you sort out where to go next.
Labels:
art,
art instruction,
encaustic,
plexiglas,
wax
Sunday, February 22, 2009
Acrylic Transfers
About acrylic transfers - if you want to try these at home and bring them ready to collage in wax, here is what you can do -
- your image has to have toner in it for this transfer process to work. Not every copy machine works well for this so you may want to take your image to various machines and get a copy from each machine. You can do the transfer process on all the images at the same time to see which machine works best.
- cut out your image leaving a scrap edge around it.
- tape it down, face up, to a smooth surface - plexiglas, glass, marble table
- day one: paint the surface completely with a thin coat of acrylic medium *
- day two: paint the surface completely with a thin coat of acrylic medium
- day three: same
- day four: repeat until you build up 6-8 layers
- at this point you will have an image on paper with built up layers of acrylic medium on top. Now comes the revelation of the transfer bit. I'll bring mine to class at this stage. We're going to free it from its surface, turn it over and rub off the paper backing. It the image has transferred from the paper to the acrylic we'll be left with a transparent transfer.
About acrylic medium - I'm using Golden GAC 100. Another one that works is Golden GAC 700. Also try acrylic gloss medium or any other acrylic media. We'll survey the various media and see what works best.
I use a disposable foam brush. I keep it in a baggie and tape the brush/baggie to the bottle of medium between uses. I don't wash it out between uses. It stays moist in its plastic bag.
Timing - you may paint faster than every 24 hours. Twice or even 3 times a day may be fine. For the sake of useful information, keep track of how many coats you apply.
Bring your transfers to class, done or in process, so we can all see.
- your image has to have toner in it for this transfer process to work. Not every copy machine works well for this so you may want to take your image to various machines and get a copy from each machine. You can do the transfer process on all the images at the same time to see which machine works best.
- cut out your image leaving a scrap edge around it.
- tape it down, face up, to a smooth surface - plexiglas, glass, marble table
- day one: paint the surface completely with a thin coat of acrylic medium *
- day two: paint the surface completely with a thin coat of acrylic medium
- day three: same
- day four: repeat until you build up 6-8 layers
- at this point you will have an image on paper with built up layers of acrylic medium on top. Now comes the revelation of the transfer bit. I'll bring mine to class at this stage. We're going to free it from its surface, turn it over and rub off the paper backing. It the image has transferred from the paper to the acrylic we'll be left with a transparent transfer.
About acrylic medium - I'm using Golden GAC 100. Another one that works is Golden GAC 700. Also try acrylic gloss medium or any other acrylic media. We'll survey the various media and see what works best.
I use a disposable foam brush. I keep it in a baggie and tape the brush/baggie to the bottle of medium between uses. I don't wash it out between uses. It stays moist in its plastic bag.
Timing - you may paint faster than every 24 hours. Twice or even 3 times a day may be fine. For the sake of useful information, keep track of how many coats you apply.
Bring your transfers to class, done or in process, so we can all see.
Saturday, February 21, 2009
Encaustic Painting - Poured and Painted
Hi everyone. Here is the latest crop of photos from the last two weeks. Below the photos are words about our next get together.
Alix - Blue
Alix - The Barrister
Alix - Bingo Ballet
Barbara - Our New House
Suzanne - Sou Prairie
Suzanne - Sur Prairie
Tessa - Not About the Dots
Loralei - Woodward 1
Loralei - Woodward 2
Loralei - Woodward 3
Loralei - Woodward 4
This Wednesday, 25 February we will try out some mixed media in wax. Bring your encaustic supplies and bits you may want to encase in some of your panels. You may start panels from scratch or continue on some you have already worked on. As far as the bits to bring, you can encase very fine things like feather boas, lacy bits or very heavy things like bolts. If you want to do heavy things be prepared to build up some wax on your panels first. Also, of course, photos, magazine pictures, newspaper - anything, really.
I will demonstrate pouring and painting wax over images adhered to panel again.
That's all I know for now.
Alix - Blue
Alix - The Barrister
Alix - Bingo Ballet
Barbara - Our New House
Suzanne - Sou Prairie
Suzanne - Sur Prairie
Tessa - Not About the Dots
Loralei - Woodward 1
Loralei - Woodward 2
Loralei - Woodward 3
Loralei - Woodward 4
This Wednesday, 25 February we will try out some mixed media in wax. Bring your encaustic supplies and bits you may want to encase in some of your panels. You may start panels from scratch or continue on some you have already worked on. As far as the bits to bring, you can encase very fine things like feather boas, lacy bits or very heavy things like bolts. If you want to do heavy things be prepared to build up some wax on your panels first. Also, of course, photos, magazine pictures, newspaper - anything, really.
I will demonstrate pouring and painting wax over images adhered to panel again.
That's all I know for now.
Labels:
art,
art instruction,
encaustic,
poured wax,
wax
Sunday, February 8, 2009
Encaustic Painting - poured, painted wax on images
Hi everyone. Here are some of the images from last week. Below those are some words about this Thursday.
Alix - Floating Elements
Alix - St. Valentine
Alix - Circular
Tessa - Grey Study
Tessa - Dots on Snow
Loralei - Water and Oil
Alix - Tic, Tac . . .
Alix - Dorothy Unhinged
Loralei - Lifting from the Grid
Loralei - Enmeshed
This week we're going to paint wax on one of the paper images you've attached to panel and pour wax on the other. If you haven't attached paper to panel and want to, bring your panel and paper this week and we'll do it then. I'll bring my PVA. The painting wax on an image is fairly straight forward. We'll do that first while we wait for wax to melt.
About pouring, it will be easier to do if you have a vessel to heat the wax in that you can lift off your hot surface and pour from - say an old saucepan with a flat bottom. If you don't have something like that just bring your stuff and we'll sort it out.
See you Wednesday.
Alix - Floating Elements
Alix - St. Valentine
Alix - Circular
Tessa - Grey Study
Tessa - Dots on Snow
Loralei - Water and Oil
Alix - Tic, Tac . . .
Alix - Dorothy Unhinged
Loralei - Lifting from the Grid
Loralei - Enmeshed
This week we're going to paint wax on one of the paper images you've attached to panel and pour wax on the other. If you haven't attached paper to panel and want to, bring your panel and paper this week and we'll do it then. I'll bring my PVA. The painting wax on an image is fairly straight forward. We'll do that first while we wait for wax to melt.
About pouring, it will be easier to do if you have a vessel to heat the wax in that you can lift off your hot surface and pour from - say an old saucepan with a flat bottom. If you don't have something like that just bring your stuff and we'll sort it out.
See you Wednesday.
Labels:
art,
art instruction,
encaustic,
poured wax,
wax
Sunday, January 25, 2009
Wax on January 28 - Encaustic Monoprints
Alix - "Draw the Line Here"
Alix - "Nine Layer Cake"
Also, if you can paint two panels (including the cradled one, if you wish) white with some white gesso, acrylic or watercolor before the class on February 4, that would be great. If not, I'll bring the correct stuff this time and you can paint it in class. For those of you who do have your panels painted, please bring the images you want to adhere to the panel and we'll glue them down. I'll bring some PVA but if anyone else has some, please bring it also. We'll probably have enough with mine. You'll be backup.
I don't know if I've mentioned it before but the panel that you want to pour wax on (one of the white painted panels) should be of a size that will fit in your hot gizmo. You will need to get the white painted panel with the image glued on warm before you pour hot wax on it. The other white panel can be any size as you will be painting wax on top of the image. If you're confused, email or call me.
See you in February!
Alix - "Nine Layer Cake"
Hello everyone. The snow is white but the sky is cloudy. Hoping for Colorado's blue sky soon.
This is a reminder to bring the things that Leslie suggested to the next class on the 28th -
- paper small enough to fit on your heated surfaces
- encaustic, oil pastels or encaustic bars if you have them
- cakes of sheer color in wax
- graphite, pencils, carbothello pencils if you have them
For paper, Leslie suggests both kozo or printmaking papers. The less size on the surface, the better so printmaking paper is better than watercolor paper but nothing is written in stone.
Check out Leslie's website.
Also, if you can paint two panels (including the cradled one, if you wish) white with some white gesso, acrylic or watercolor before the class on February 4, that would be great. If not, I'll bring the correct stuff this time and you can paint it in class. For those of you who do have your panels painted, please bring the images you want to adhere to the panel and we'll glue them down. I'll bring some PVA but if anyone else has some, please bring it also. We'll probably have enough with mine. You'll be backup.
I don't know if I've mentioned it before but the panel that you want to pour wax on (one of the white painted panels) should be of a size that will fit in your hot gizmo. You will need to get the white painted panel with the image glued on warm before you pour hot wax on it. The other white panel can be any size as you will be painting wax on top of the image. If you're confused, email or call me.
See you in February!
Labels:
art,
art instruction,
encaustic,
monoprints,
wax
Thursday, January 15, 2009
wax in week three
Alix - "Yellow Dot"
Hello everyone. Tessa reminded me of something. If you're new to encaustic you should use this semester to explore and experiment. Set yourself some goals - I'll help you with that if you want - but don't make "producing a work of art" one of them. Some goals to help you learn the wax process might be:
- try to bury some imagery or marks under layers of wax so they appear faintly on top
- blend a nice gradation, from white to black or blue to pink, or red to black. Anything really so you begin to see how transparent/opaque work in this medium
- paint a portion of your board with texture and make the other part smooth
- practice line making then bury it in wax, do more line making, bury it, etc. After you have built up a bit, scratch back through to some bottom layers.
I'll think of some more of these exercises.
Here is the link to the slideshow of mostly encaustic work that most of you saw last Wednesday : wax and fire slideshow - Jan. 09
About 21 January - week 3
Our itinerary says we are to:
- continue gluing panels
- paint 12x12 white - I'll bring white gesso for everyone. If you have both panels that are to be painted we can paint them whether or not they are glued.
- make some cakes of very weak colors to use with Leslie next week
- I'll demo the use of stencils
- I'll also demo making pigment paste (with cold wax) to fill lines. I talked it but didn't do it.
REMIND ME TO USE MY CAMERA!
Friday, January 9, 2009
What's coming January 14. . . . and beyond
Hi everyone. Here are some thoughts about our next class. The agenda says:
- begin gluing cradles - I'll bring the Titebond Glue
- begin attaching cradles to 12x12 panel if you have it
- paint with wax
- demo on introducing lines
- while our wax is melting we can look at the slide show of encaustic (mostly) work I grabbed off the internet
To do these things you will need:
- encaustic medium - if you have to continue making it in class that's ok. It will slow you down on painting but, I promise, no one will frown at you.
To do these things you will need:
- encaustic medium - if you have to continue making it in class that's ok. It will slow you down on painting but, I promise, no one will frown at you.
- pigments, oil paints or encaustic sticks - You may refer to the materials list I gave you for basic colors but if you don't have those you can really start with anything. We talked a little about other coloring/texturing elements - things like spices, fireplace ash, dirt. Whatever you think of that isn't too toxic.
- you will need some wood panels - 12x12 and smaller - to experiment on - 20 of various or same size should allow you to keep some you like and repaint those you don't care about
- bring back your cradle pieces if you have your 12"x12" panel
- brushes
- electric skillet, hot palette or flat heating device
- tins to contain various colors, medium on your heating device
Bring if you have but don't go out and purchase:
- strap clamp
- pigment sticks
- grease pencil
- tool to gouge lines in wax
You will need eventually:
- dorlands cold medium
- PVA adhesive or acrylic medium - we won't need this until February
- 12x12 x 1/4" plexiglas - I'll arrange to purchase these for everyone unless you want to get your own
- 2 - 12"x12" wood panels (I recommend 1/4" birch plywood) - one of these will be used with the cradle
- optional: a larger piece of wood to paint on - say, 18" x 24". If you want to work on a larger piece like this you may want to cradle it before you begin painting so it will be ready to hang when you finish the surface.
- you will need some wood panels - 12x12 and smaller - to experiment on - 20 of various or same size should allow you to keep some you like and repaint those you don't care about
- bring back your cradle pieces if you have your 12"x12" panel
- brushes
- electric skillet, hot palette or flat heating device
- tins to contain various colors, medium on your heating device
Bring if you have but don't go out and purchase:
- strap clamp
- pigment sticks
- grease pencil
- tool to gouge lines in wax
You will need eventually:
- dorlands cold medium
- PVA adhesive or acrylic medium - we won't need this until February
- 12x12 x 1/4" plexiglas - I'll arrange to purchase these for everyone unless you want to get your own
- 2 - 12"x12" wood panels (I recommend 1/4" birch plywood) - one of these will be used with the cradle
- optional: a larger piece of wood to paint on - say, 18" x 24". If you want to work on a larger piece like this you may want to cradle it before you begin painting so it will be ready to hang when you finish the surface.
Sources to check out:
- R&F Encaustic http://www.rfpaints.com
- http://encausticopolis.blogspot.com
- The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax by Joanne Mattera
REMIND ME TO USE MY CAMERA!
Tuesday, January 6, 2009
Welcome
Welcome to our blog! This is for the Encaustic Painting class at the BBAC, Winter semester, 2009. We'll use it to post photos of our work, notes, extras and communication. See you Wednesday evening.
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